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Getty Images v Stability AI: Impact on UK Copyright & AI Law

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Alexia Dirgau - Solicitor Apprentice

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Article reviewed by Adam Shiffman.

The High Court

The recent High Court case of Getty Images v Stability AI [2023] EWHC 3090 (Ch) is set to be heard at trial between 9 June 2025 and 31 June 2025, further to Justice Joanna Smith’s decision not to strike out Getty’s claims.

In this blog, our Creative & Media and Intellectual Property lawyers look at this case, covering Getty Images' claims, Stability AI's defence, and the impact this case could have on the legal landscape. 

Background of the parties

Getty Images, described in the Particulars of Claim as a “pre-eminent global visual content creator and marketplace”, licences its contents through various websites to creative, media and corporate customers in more than 200 countries. Its contents include photographs, video footage and illustrations, together with associated captions and key words. Getty Images feature prominently in newspapers, books, websites, magazines, TV programmes and various films.

In its Amended Statement of Particulars, Getty Images states that the group invested nearly $1 billion in building and maintaining its database of images simply in the period of 2017 to 2020; over $150 million of that sum included just the fees paid by Getty Images to acquire rights from third party content producers.

Stability AI, the defendant, is a London-based AI developer and is a deep learning, text-to-image model which has been trained using diffusion techniques. Such techniques involve ‘noise’ being incrementally introduced to disperse the pixels of images into large arrays of random static which no longer resemble the images. After the diffusion occurs, the model teaches itself to undo the diffusion and restore the images.  Once a sufficient number of images have been analysed, the model can then recreate images based on the knowledge it has ascertained. For example, after analysis of enough photos of a dog, the model can learn what a dog looks like and is then able to generate images of a dog in specific circumstances requested by way of user prompts. Dream Studio, a project created by Stable Diffusion, is a commercial platform accessed by users in the UK which allows images to be created from text.

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Getty’s claims

Because of the quality of Getty Images’ contents, they are vulnerable to being used  in connection with AI and machine learning. Getty Images’ complaint is that Stability AI has “scraped” millions of images from Getty Images websites, without consent, and has used those images unlawfully to train and develop Stable Diffusion.

Getty Images’ subsequent complaint is that the output from Stable Diffusion in the form of synthetic images, accessed through platforms such as Dream Studio,  in itself amounts to infringement as it reproduces a substantial part of Getty’s content. Getty alleges that Stable Diffusion’s actions amount to:

  • importing into the UK an article, namely Stable Diffusion, which is and which the Defendant knows or has reason to believe is, an infringing copy of the copyright works; and/or
  • possessing the course of a business, selling or letting for hire, or offering or exposing for sale or hire, an article, namely Stable Diffusion, which is and which the Defendant knows or has reason to believe is, an infringing copy of the copyright works (section 23 Copyright, Designs and Patents Act 1988 (CDPA)).

The synthetic images have also been found to bear various Getty and iStock trademarks appearing as watermarks. Getty has therefore made a claim for copyright infringement, database right infringement, trademark infringement and passing off.

Additionally, following a summary judgment application hearing instigated by Stability AIGetty sought permission to amend the Particulars of Claim by the addition of a new claim relating to an image-to-image feature of Stable Diffusion. This feature permits users to make “essentially identical copies of copyright works” and the user is able to determine how closely the synthetic image produced matches the image prompt through the use of an “image strength” slider allowing variations in the synthetic image created.

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Stability AI’s defence

Stability AI’s central defence is that no training or development of the model had been carried out in the UK and has submitted substantial evidence to this effect. Mr Emad Mostaque, founder and chief executive of Stability AI, stated he is “confident that no Stability employee based in the UK has ever worked on developing or training Stable Diffusion”. The claim is that Stability’s computing power was accessed entirely via the US. The Defendant contends that its evidence establishes that all of the computing resources used by the Defendant for the training of Stable Diffusion have, at all times, been located outside the United Kingdom. In particular, all of the training “compute” infrastructure is located in two USA datacentres operated by Amazon Web Services.

Stability AI’s argument in the alternative is based on the interpretation of the statutory definition of “article” under the CPDA. Their argument poses that on a true interpretation of the statutory provisions, the reference to an “article” in sections 22 and 23 of the CDPA can only be a physical tangible thing which is capable of being “imported”, “possessed”, “distributed” and “made”.

In respect to Getty’s third, additional claim, the Defendant opposes it on two grounds:

Firstly, they believe they have no real prospect of success and secondly that they are “inadequately particularised. Secondly, Stability argues that the AI generated outputs are not similar to Getty’s trademarks and that any misrepresentation in respect of the trademarks that appear on some synthetic images is made by the user.

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ARTIFICIAL INTELLIGENCE

Exploring the Decision

Justice Joanna Smith’s view on the location issues is that, based on the limited evidence she had assessed on that point, there is “support for a finding that, on the balance of probabilities, no development or training of Stable Diffusion has taken place in the United Kingdom”. Justice Joanna Smith is however not sufficiently convinced to determine the point without first giving Getty the opportunity to refute the evidence at trial, adding, among other things, that there is some evidence that points away from what Stability AI has argued and that there are reasonable grounds to believe disclosure in the case may add or alter the evidence on where the training and development of Stable Diffusion took place. There is a strong belief however that if the High Court accepts Stability AI’s position, Getty’s claims relating to the training and development will fail on the jurisdictional scope of the CDPA 1988.

The subsequent claim had been said to raise a somewhat novel interpretation of the law which should be delved into at trial, once all facts had been ascertained and considered. In refusing to dismiss Getty’s claim,  Justice Joanna Smith noted Getty’s argument that there are good policy reasons why “article” should be read as meaning both tangible and intangible articles and that on the Defendant’s construction, there would be an infringing copy and secondary infringement if the Defendant had brought a copy of Stable Diffusion into the UK on a memory stick but, because of developments in technology which mean this can now be achieved via a cloud-based service, there would be no infringement.

Despite Stability Ai’s view, Justice Joanna Smith considered that the image-to-image claim as pleaded has a “real prospect of success” and that it is “plainly a claim that should go to trial”, thus allowing the addition of this claim to Getty’s Particulars of Claim.

The Judges decision

The impact of the case

This case is a significant case in the ever-developing law relating to AI. It is a case which has the potential to shape copyright licensing in the AI age. Depending on the ruling in the High Court, subsequent reforms to UK copyright law could have a significant impact on the attractiveness of the UK’s ability to develop and enhance AI solutions and offerings.

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Alexia Dirgau's profile picture

Alexia Dirgau

Solicitor Apprentice

Alexia joined Myerson in September 2022 as a solicitor apprentice after finishing her studies at Loreto Sixth Form College in Manchester.

Alexia has completed her first seat in our business administration department where her main responsibilities involved the general support of fee earners and PAs, followed by her second seat in marketing and a third as a Legal PA.

Alexia is currently undertaking one of her legal seat in our litigation departments.

Alexia will continue moving around the firm through the different departments as she progresses through her 6-year apprenticeship, whilst also studying Law part-time LLB at BPP University.

About Alexia Dirgau