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Navigating Copyright and Copyright Infringement In The World of AI

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James Banks - Trainee Solicitor

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Article reviewed by Robert Brothers.
4 minutes reading time
ARTIFICIAL INTELLIGENCE

With the rapid rise of AI in recent years, copyright law has been forced to adapt to accommodate technological developments.

The ability of individuals and companies (‘users’) to ‘prompt’ AI systems, such as DALL-E by OpenAI, to create art is particularly controversial due to the potential for copyright infringement of artistic works.

The UK Government's AI Opportunities Action Plan, launched to align innovation with regulatory development, emphasises the need for legal frameworks to address these emerging issues.

Our Dispute Resolution Solicitors explore the complexities of copyright law in the context of AI, providing insights into authorship, infringement, and the evolving legal landscape.

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AI and Authorship

UK copyright law is primarily governed by the Copyright, Designs and Patents Act (CDPA) 1988. Section 9(3) of the CDPA provides scope for the inclusion of AI-generated art within the CDPA as this provision stipulates that:

"In the case of...artistic work which is computer generated, the author shall be taken to be the person by whom the arrangements necessary for the creation of the work are undertaken".

The nature of the 'prompting system' for AI whereby the user 'prompts' the AI system to produce a result consistent with the user's request provides greater legal difficulty concerning s9(3) CDPA as it may be unclear exactly who undertook the necessary arrangements for the creation of the work.

Since joint authorship between a human user and AI system is impossible under the CDPA, the degree and extent of the 'prompting' will likely determine the work's author and subsequent copyright owner.

However, it remains unclear whether user intellectual effort via extensive prompting of the AI system or the use of AI as a source of inspiration for further user intellectual effort will be sufficient to satisfy the "personal touch" requirement for copyright protection.

Due to the current uncertain legal position, documentation of all prompting and subsequent human alterations, for example, through image editing software, is imperative as cases are likely to be decided on a case-by-case basis.

The UK Government's consultation in December 2024, part of the broader AI Opportunities Action Plan, seeks to clarify such ambiguities in copyright law.

This initiative reflects the Government's goal to ensure that the legal landscape supports innovation while providing clear guidance for users and developers navigating AI-generated works.

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The Application of Existing Copyright Infringement Law to AI

Infringement by training the AI system

The first infringement issue AI presents relates to the significant volume of data which must be 'scraped' from the internet to train the AI system.

Copyright infringement requires the use of all or a substantial part of copyright works without authorisation from the owner.

In the context of AI, the recent Getty Images (US) v Stability AI Ltd [2023] EWHC 3090 (Ch) case involved an allegation that the data used to train Stability AI's system included Getty Images' work as Stability AI sought a reverse summary judgment and strike out of Getty's claim.

Although the case will be heard at trial later this year, the Getty Images case demonstrates the potential liability for copyright infringement for AI developers since users, with sufficiently precise prompts, could produce an image which included the Claimant's logo.

The Government has underscored the importance of ensuring AI systems adhere to ethical principles, including transparency in training data. The AI Opportunities Action Plan highlights that a trustworthy AI ecosystem depends on documenting and ethically sourcing data used in model development.

Infringement by the user

Moreover, the current position for copyright infringement by individuals and companies prompting the AI system ('users') is equally unclear.

Given that copyright infringement by users remains untested in Court, significant caution should be exercised by users who are aware of a particular artist's work and enter prompts into the AI system to create similar work in the style of a particular artist.

Similarly to the issue of authorship, and given the legal uncertainty at this stage, the documentation of all prompts entered by a user could prove vital in copyright infringement proceedings.

This aligns with the UK Government's ongoing plans to support responsible AI use.

As noted in the BBC, fostering public trust in AI will require that ethical practices are promoted and enforced through transparent regulations and practical guidance for individuals and organisations.

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Shaping the Future of AI and Copyright: A Call for Clarity and Collaboration

With the rapid development of AI capabilities, particularly in the creation of art, the UK Government started a consultation in December 2024 to provide greater clarity regarding the interplay of Copyright and Artificial Intelligence.

As interested parties eagerly anticipate the consultation's outcome, documentation of AI training and prompts by AI users remains pertinent.

The Government's AI Opportunities Action Plan is crucial in addressing these challenges.

It underscores the importance of balancing innovation with legal clarity, ensuring that both AI developers and users understand their rights and responsibilities.

These consultations allow stakeholders to influence the evolving legal framework while safeguarding their creative and intellectual interests.

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Navigating the complexities of AI and copyright law can be challenging.

For tailored advice and support, contact our Dispute Resolution team today. Our expert team is here to guide you through this evolving legal landscape with clarity and confidence.

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James Banks's profile picture

James Banks

Trainee Solicitor

James joined as a Trainee Solicitor at Myerson in 2024 and is currently in his first seat within the Commercial Litigation department.

Prior to joining the firm, James graduated from Durham University with a First Class Honours LLB. He is currently completing the SQE qualification with BPP University in Manchester.

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